The moment I think I understand and appreciate it, it’s already fading away. Few filmmakers have ever been better able to articulate a sense of presence, and also of the present, with those famous long shots locating film and filmmaker physically and temporally. On the contrary, I have the feeling that I am only attached to the land under my feet. Personally identifiable information may include, but is not limited to your name. Into the Fog: Chantal Akerman was born on June 6, 1950 in Brussels, Belgium as Chantal Anne Akerman. Akerman’s final film, No Home Movie — a visceral, diaristic account of the director’s final encounters with her mother, released the same year that Akerman herself ended her life, following a long battle with depression — evokes in its very title this double-edged quality inherent to her work: home as something both present and elusive, comforting yet claustrophobic, there but soon gone, physical but (mostly) mental. For many years Chantal Akerman was a member of its Board of Directors, and which she had entrusted with the conservation of her cinematographic works and their restoration. Minutes pass, until the buildings and the sky and the water flatten and fade into a spectral rumor, the clouds absorbing the tops of towers and any uptown buildings vanished entirely from sight. What it records lasts for as long as it can, or for as long as it has to, or until it just stops. Find release information for News From Home (1976) - Chantal Akerman on AllMovie By using this site, you consent to the use of cookies. If you have any questions about this Privacy Policy, please contact us. The film combines and overlays the two, but they certainly don’t connect. Akerman regularly incorporates letters into narrative, but News from Home, and the massively underseen Letters Home (1986), are her only epistolary films. For any request about Chantal Akerman’s works, you can contact the foundation at: works@chantalakerman.foundation, For any research request, you can contact the archives at: archives@chantalakerman.foundation, Projection à La Rochelle International Film Festival, News from Home: The Films of Chantal Akerman, Jeanne Dielman, 23, quai de Commerce, 1080 Bruxelles. © Reverse Shot, 2020. The Fondation Chantal Akerman was founded in 2017. We reserve the right to update or change our Privacy Policy at any time and you should check this Privacy Policy periodically. We’re two places at once, and thus nowhere entirely. READ MORE: Landmark Belgian Filmmaker Chantal Akerman Dies at 65 “News From Home” (1976) Letters from the filmmaker’s mother are read … News from Home é um filme documentário coproduzido por teuto-belgo-francês dirigido por Chantal Akerman e lançado em 8 de junho de 1977. Personal data are carefully and respectfully collected, processed and stored, in accordance with this policy and all applicable laws. Título original: News from Home. With its insistently repeated motifs — epistolary exchanges, mother-daughter relationships, open-ended journeys, oral histories, performance, the sinister spectre of war — Akerman’s oeuvre is as thematically cohesive as her genres are varied, but it is also full of complexities, contradictions, and dualities. Most of our information can be found on our website, however, it is possible that in some cases, we will ask you for some personal information. She excelled in the extremes: her films could be all narrative climax (such as her underrated, love-stricken Toute une nuit) or completely denarrativized, such as Les Rendez-vous d’Anna, which is structured from beginnings and endings and evinces a wrenching modern soul-sickness. Belgium-France, 1976 / 16mm / Color / 90 min, Belgium-France-Germany, 1978 / 35mm / Color / 127 min, Belgium-France, 1982 / 35mm / Color / 90 min, Belgium-France, 2015 / video / Color / 115 min. CINEMATEK wants to be very transparent on how we deal with your personal data. News from Home: The Films of Chantal Akerman “I don’t feel I belong anywhere. Año: 1977. Even after having lived within the confines of that shot, and having lived within stumbling distance of those towers, I still feel it. I just know that what it expresses is precisely what I feel as deeply as I feel anything: that the city is my ultimate intangible, real and metaphorical, the pinnacle of and ultimate metaphor for life, about which I feel the most intense, prevailing, and defining sense of romance, longing, and loss. a person responsible for collecting and processing of your personal data) with respect to all data CINEMATEK collects on you, when you use one of our services. The Her over 40 short and feature films range from structuralist experiments to romantic comedies, musicals to literary adaptations, diaristic essays to biographical portraits to thinly veiled autobiographical road movies. Conserving Chantal Akerman’s body of Art, including the archives and all the works ; Fostering the knowledge, the appreciation and study of Chantal Akerman’s oeuvre ; Assuring its dissemination and conservation of Chantal Akerman’s works ; Assemble, maintain and protect the rights of Chantal Akerman and of her works. I don’t ever recall the approaching view of the island from the Staten Island Ferry, at least after the day ended (perhaps I savored the arrival while I was there, but more likely is that I was too stimulated and ecstatic for such reflection). 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